Nickname: -
Genre: Soul / Rhythm and Blues
Most Memorable Recording: "A Change is Gonna Come"
Followers: Ryan Shaw, Heartland, Midwest City, Aaradhna, Slackstring, Willie Hightower, Lyfe Jennings, Aloe Blacc, Daniel Lemma, Jaheim, Governor, Rome, James Hunter, The Rance Allen Group, Eric Gadd, Stevie Wonder, Johnny Nash, Vince Montana, J.J. Malone, Rudy Love, Michael Henderson, John Ellison, Terence Trent D'Arby, Albert Washington, Howlin' Wilf, Baby Huey, Roy Hytower & Motif, Marilyn Scott, Spiritualized, Leon Haywood, Rick Danko, Dee Clark, Cornell Campbell, Buster Benton, Bobby Womack, Luther Vandross, Johnnie Taylor, Rod Stewart, The Staple Singers, Otis Redding, Lou Rawls, Steve Perry, The Neville Brothers, Aaron Neville, Ben E. King, The Jive Five, Walter Jackson, Freddie Jackson, Chuck Jackson, Jimmy Hughes, Herman's Hermits, Donny Hathaway, Al Green, Johnny Gill, Marvin Gaye, Aretha Franklin, Sugar Pie DeSanto, Bobby Day, Rita Coolidge, Arthur Conley, Gene Chandler, James Carr, James Brown, William Bell, Babyface, The Animals, Arthur Alexander, Rance Allen, Katie Webster, Little Johnny Taylor, Frankie Lee, The Holmes Brothers, Z.Z. Hill, Ted Hawkins
Sam Cooke was the most important soul singer in history -- he was also the inventor of soul music, and its most popular and beloved performer in both the black and white communities. Equally important, he was among the first modern black performers and composers to attend to the business side of the music business, and founded both a record label and a publishing company as an extension of his careers as a singer and composer. Yet, those business interests didn't prevent him from being engaged in topical issues, including the struggle over civil rights, the pitch and intensity of which followed an arc that paralleled Cooke's emergence as a star -- his own career bridged gaps between black and white audiences that few had tried to surmount, much less succeeded at doing, and also between generations; where Chuck Berry or Little Richard brought black and white teenagers together, James Brown sold records to white teenagers and black listeners of all ages, and Muddy Waters got young white folkies and older black transplants from the South onto the same page, Cooke appealed to all of the above, and the parents of those white teenagers as well -- yet he never lost his credibility with his core black audience.
